Bart van Deelen


The wind was in our favour (2019)                                              [3D filament, metal storage rack]

Untitled (2019)

 [wood, tar, concrete]

Untitled (2019)

 [wood, tar, concrete]

Pi├Ęce de milieu (2019)                                                                                [ebonised oak, marble]

Untitled (2019)                                                                                                [teak, brass screws]

This series of sculptures (3) can be seen as forensic research with an emphatically artificial taste. A crime scene can be any location that may be associated with a committed crime. The sculptures play with subtle references, which create a certain scene. Both existing and newly made objects come together in an associative manner. The sculptures exist and are taken apart again. The only thing that remains is a photo which sometimes comes back (2018).

Untitled (2017)          

[plaster, chains, glass object from Bernard Heesen]

Untitled (2017)                                                [plaster, chains, glass object from Bernard Heesen]

Abandoned (2017)                                                                  [concrete, brass, sandpaper, stone]

Untitled (2016)                                                                                                   [teak, cheesecloth]

Untitled (2016)                                                                                                                        [teak]

Untitled (2016)                                                                                                  [teak, brass, blinds]

Untitled (2015)                                                                                           [metal, optical fiber, lac]